I know I’m not the first person to ever review the Blue Snowball iCE microphone (Snowball), but I am a professional reviewer, podcaster, and videocaster, so I’m evaluating it from the point-of-view of someone who might shop for this microphone to create professional voice recordings.
I purchased this unit from Amazon, myself, so it is not a review unit supplied by Blue Microphones or a PR company. I bought it for use as a home recording unit, because I use my Blue Yeti microphone for creating professional SecurityNOW podcasts with Preston Smith. Originally, I purchased this one to be the SecurityNOW microphone and to leave my precious Yeti at home. However, the Snowball lacks certain features that I require for my professional podcasts. So, I’m reviewing it here to give you the highs and lows of it in case you’re considering it for your own work.
What I like:
The Snowball is small, light and well-built. The price is right at $44.99 and free shipping from Amazon. The Snowball dismantles into the ball, the small stand, and the USB cable for a fairly compact transport. The sound is very good for the price. The microphone and parts feel durable and should last until its $45 value has been fully extracted. I like the cardioid voice pickup pattern. It filters out a lot of the ambient background noise from behind the microphone and in other parts of a large room, focusing on your voice.
What I don’t like:
The Snowball has no features. It’s a microphone on a stand and that’s it. It has no volume knob or any other adjustment buttons, sliders, or switches. It’s on when you plug it in and off when you unplug it. There’s no mute feature on the microphone. The non-adjustable stand is small and three to four inches lower than optimal height. The stand attaches to the microphone with a non-standard screw size, so you can’t mount it to a tripod of any kind, though you can optionally purchase an adjustable microphone ‘arm’ for $18.
The only accessory that I know of for the Snowball is the Ringer, which is a shock mount for $43.00 on Amazon. The shock mount gives you more options for placement, like the adjustable arm, plus it dampens sounds from bumps and other movements. Frankly, the Snowball should be used with a Pop Filter to filter out the “pops” you hear when speaking close to the microphone, which you really have to do with the Snowball to capture good sound quality.
The optimal distance from the microphone is probably three to four inches, depending on your voice quality and volume.
Here is a sample of raw audio from the Blue Snowball iCE.
However, if you spend $45.00 for the Snowball, $43.00 for the shock mount, and $10.00 for the pop filter, you’d be better off buying the Blue Yeti USB microphone for $100.00. It’s a much superior microphone and you’ll like it a lot better.
Overall, the Snowball is a decent microphone. I can’t say that I’d purchase another one, but for $45.00, it’s OK. I think my money would have been better spent on a different microphone that has options, better sound, and a more convenient or adjustable stand. If you’re wanting a microphone for some light podcasting, Skype, or test recording of some type, this microphone is certainly good enough. If you have any aspirations of doing anything long-term, professional, or something with an adjustable stand or even a volume knob, don’t buy this one.
Recommendation: Don’t buy it unless you really like having no options and a mediocre microphone. Opt instead for the Blue Yeti.