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Posts Tagged ‘DSLR’

Three Sigma Global Vision Art Lenses Receive Prestigious TIPA Award

April 19, 2016 Comments off

Sigma LogoRONKONKOMA, NY – April 19, 2016 – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessory manufacturer, today announced it has received three awards from theTechnical Image Press Association (TIPA). Sigma was awarded with the honors of Best DSLR Telephoto Zoom Lens for the Sigma 50-100mm F1.8 DC HSM Art Lens, Best DSLR Wide Angle Zoom Lens for the Sigma 24-35mm F2 DG HSM Art Lens, and Best Professional DSLR Lens for the Sigma 20mm F1.4 DG HSM Art Lens.

The annual TIPA Awards honor the best photo and imaging products introduced during 2015 through 2016. Renowned in professional photo markets across the world, TIPA awards are among the highest accolades photo and imaging products can receive. The TIPA organization has a worldwide membership of 27 photo and imaging magazines from 16 countries across five continents.

“We are once again honored to have the Sigma 50-100mm F1.8 DC HSM Art Lens, the 24-35mm F2 DG HSM Art Lens and the 20mm F1.4 DG HSM Art Lens selected by TIPA for their outstanding quality and impact on the industry. The thorough judging criteria take into account not only the innovation, but also the use of leading-edge technology, design and ergonomics, ease of use as well as the price/performance ratio. We are incredibly proud to have Sigma lenses meet these high standards,” comments Mark Amir-Hamzeh, president of Sigma Corporation of America. “We pride ourselves on designing and manufacturing the very best lenses using today’s most cutting-edge optical technology. I want to thank the Sigma design and manufacturing team for their commitment to engineering excellence and look forward to seeing the inspiring images Sigma fans will create using our lenses.”

To see a full list of this year’s TIPA Award winners, please visit the official TIPA website.

About the Sigma 50-100mm F1.8 DC HSM Art Lens
The newest addition to the Global Vision Art lens line, the Sigma 50-100 F1.8 (75-150mm on 35mm format) mid-range zoom lens delivers outstanding prime lens-like results. Factoring in the APS-C image circle of 1.5x, the 50-100mm F1.8 covers three popular short tele prime focal lengths: 85mm, 105mm and 135mm. It maintains a constant F1.8 aperture, yielding exceptional brightness and resolution throughout the zoom while simultaneously maintaining focus as the lens is zoomed, ideal for videographers.

About the Sigma 24-35mm F2 DG HSM Art Lens
The 24-35mm F2 DG HSM Art is the world’s first full-frame F2 zoom lens, designed with the versatility of a zoom lens married with incredible performance. With premium FLD glass and seven SLD glass elements, it allows for sharp, beautiful image quality. Its large diameter aspherical lens also provides a stunning level of brightness, even ideal at the widest of apertures. Its quick, accurate autofocusing makes it perfect for capturing movement without blurring.

About the Sigma 20mm F1.4 DG HSM Art Lens
The state-of-the-art 20mm F1.4 DG HSM Art is a wide-angle prime lens designed for use with full-frame cameras with additional APS-C sensor support. It is Sigma’s widest large aperture art lens yet and was designed with careful attention on edge-to-edge performance. It includes both FLD glass and five SLD glasses in a 15-element, 11-group design to minimize spherical aberration, axial chromatic aberration and field curvature for incredible image quality. Tested using the proprietary “A1” measuring system, it is ensured with the highest standard of operation for professionals. This lens is perfect for videography, astrophotography, landscape, low-light/indoor and event photography.

About Sigma Corporation
Since 1961, Sigma has worked toward a single, simple goal: To imagine and develop photographic technologies that push the envelope, empower photographers and produce unparalleled imagery. We’ve honored this commitment by maintaining control of our design, research and development, and manufacturing processes in our own Aizu Factory. Our products are built with premium materials and are known worldwide for quality and performance. Our family-owned organization is the largest, independent SLR lens manufacturer in the world, producing more than 45 lenses that are compatible with most manufacturers, including Sigma, Canon, Sony, Nikon, Olympus, Panasonic and Pentax. Sigma Corporation also produces digital SLR cameras and high-definition digital compact cameras. The company is headquartered in Japan, with offices strategically located throughout Europe, Asia and North America. Photography is all we do, and it’s all we’ve ever done.

For information about Sigma, please visit www.sigmaphoto.com or follow the company onTwitter, Instagram and Facebook.

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3Pod Orbit 4-Section Aluminum Photo/Video Monopod with Fluid Base and Tilt Head with Quick Release (Review)

April 19, 2016 Comments off

3Pod Monopod with Tilt Head BundleAdorama3Pod Monopod (3PVM4A)
3Pod T1 Tilt Head with Quick Release (3PSHT1)
3Pod Monopod with Tilt Head Bundle
Adorama
$59.95 Monopod only
$32.00 Tilt Head with Quick Release
$79.95 with Tilt Head with Quick Release Bundle ($12.00 savings)

If you’ve searched high low for a monopod that you can use in just about any situation, stop looking, this is it. The 3PVM4A Monopod by 3Pod, sold by Adorama is one fine piece of photographic machinery. And for under, a lot under, $100, it’s the best I’ve seen. At a whopping 65.5 inches high (max), it’s comfortable for taller photographers to use, without having to crouch or bend down. I should know; I’m one of those taller photographers. This one also quickly adjusts from two feet high (23.5 inches, to be exact) to any height in between. The fluid base allows you to make smooth panning movements when the feet are down. Without the feet in the down and locked position, you have a standard monopod featuring three fast open/close flip locks for quick and easy height adjustments.


Joseph Butler and I review the 3Pod Monopod with Tilt Head.

3Pod Monopod BaseThe best feature of all. Wait for it. Look at the picture and see if you can figure it out. That’s right! It can stand on its own. At the very bottom of the monopod, you can fold down three locking legs to steady the monopod while you walk away to get yourself on camera, have an interview, or just to check focus. Sure, you can use it like a standard monopod, but those three little legs make this the bringer of the best of both worlds. Frankly, since receiving this, I haven’t used a traditional tripod again. Which in part is some of my excuse for the delay in posting this review.

I suggest purchasing the bundle. You save $12.00 by buying the Tilt Head with Quick Release, so why not make a frugal choice? For $79.95, you get the Monopod, the 3PSHT1, bag, and adjusting wrench. Even if you decide to buy another monopod head, this one will serve you well.

If you’re worried about camera weight on the monopod, let me put your fears to rest. It has held a Canon 60D with 18-135 zoom lens and a shotgun microphone without any issues.

What I really love about this setup is that it’s built for the run-n-gun photo/videographer who also might need to jump in front of the camera to narrate or to introduce a guest. You can walk away with confidence that you’re not going to end up with a smashed camera in the process. For photographers and videographers on the move, the monopod has a large padded handle that’s easy on your hands, plus it’s non-slip feature keeps your equipment safe while you’re running for the shot. The three quick-release height adjustments allow you to keep moving while you adjust the height of the monopod too. And if you don’t want to run with the monopod feet in the down position, they have “step-on” releases so that you can pick up and run without hesitation.

Tilt Head w/ Quick ReleaseThe Tilt Head with Quick Release is a ‘must have’ item because you can remove your camera from the monopod without disturbing the monopod’s position with just a snap of the silver lever you see at the right of the quick release mount. You can also come back and place your camera on the monopod without twisting, turning, or fussing with a ‘pod screw mount. Just place your camera back onto the monopod and turn the lever to secure the quick release mount and start your scene. It is literally a one-two movement and you’re back in business. Plus the Tilt Head stays gravity-centered for vertical shots.

I love the 3Pod monopod. It is the perfect ‘pod for me. It’s not bulky and cumbersome like a tripod, nor is it awkward and always in hand like a traditional monopod. It’s also not a pain to setup and adjust like most tripods are. To me, it’s the best of both worlds. It is the monopod that I wish I’d invented, but for $80, who needs the headache of prototyping, crowdfunding, begging for supporters, and wasting a bunch of energy when 3Pod has created the perfect ‘pod.

Technical Specifications:

  • Material: Aluminum
  • Max Height: 65.5 inches
  • Collapsed Height: 23.5 inches
  • Weight: 2.2 lb
  • Max load: 18 lb
  • MountingReversible: 3/8 and 1/4-20
  • Leg Lock Type: Flip lock
  • Leg Sections: 4
  • Tilt Head Tripod mount: 3/8
  • Tilt Head Camera mount: Standard ¼-20
  • Tilt Head Movement: 180° tilt on a single axis
  • Tilt Head Weight: 9.4 oz
  • Tilt Head Max Load: 11 lb

Why it’s Frugal: If it isn’t already obvious, the 3Pod monopod-tilt head with quick release is extremely frugal. First, you can buy the pair and save $12.00 (frugal). Second, you don’t have to carry a tripod and a monopod everywhere you go and fumble around with them–you have a monopod that can stand alone (frugal). And third, you don’t have to have another person with you to handle the camera while you go stand in front for an introduction, an interview, or a focus (frugal). It’s the best $80 you’ll ever spend on photography equipment.

As you can see in the video, Joseph and I both love the monopod. We fight over it and it’s hard to pry it from our grubby hands once one of us has it in possession. Seriously, it’s that good. For serious photographers and videographers at any level, this monopod beats any that I’ve ever used or seen. And yes, I’ve used the one that you’ve heard of (Sounds like a character from Lord of the Rings) and this one beats it many times over. The build quality is excellent. The quick release latches are easy to use and quick to adjust. No slips, no tips, and no lost cameras.

Rating: 9.5/10

Recommendation: Buy the bundle, save a small bundle, and enjoy your new favorite and essential accessory.

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Sigma Introduces Electronic Flash EF-630 Multifunctional External Flash

February 23, 2016 Comments off

Sigma EF-630 Flash UnitKANAGAWA, JAPAN — February 23, 2016 – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessories manufacturer, has just announced the Sigma Electronic Flash EF-630, a multifunctional flash designed to work with current digital SLR cameras. Offering greater output of light, the EF-630 features TTL exposure control, high-speed sync, wireless flash functions, auto-zoom and bounce-flash, amongst additional features that make it ideal for many types of photography.

“Lighting is one of the most important factors when it comes to creating a beautiful image, and can be the difference between capturing the perfect moment and missing it entirely,” comments Mark Amir-Hamzeh, president of Sigma Corporation of America. “The EF-630 has all the features advanced photographers look for in a flash and is the perfect companion to the DSLR.”

The Sigma EF-630 flash automatically adjusts for focal lengths of 24mm to 200mm focal length, making it ideal for wide angle and super-zoomed shots alike. For ultra-wide angle shots, photographers can utilize the built-in Wide Panel to cover an angle of up to that of a 17mm lens.

Compatible with most well-known digital SLR cameras, the EF-630 features auto TTL exposure control, as well as remote control operation through the TTL wireless flash function, where the camera lens calculates the correct exposure automatically for perfect lighting. For multi-flash setups, photographers can use the Slave Flash Function to trigger additional flashes. To achieve a softer look, photographers can bounce light off of a white wall, ceiling or reflector by tilting the EF-630’s flash head upwards by as much as 90°, or swiveling left or right by 180°. For close-up shots, the flash head can also be titled down by 7°.

The FP Flash function of the EF-630 makes flash photography possible at shutter speeds greater than the normal sync speed, which is typically limited at shutter speeds up to 1/250 second for most cameras. The FP Flash function for high shutter speeds is necessary when setting a larger aperture to limit depth of field when shooting in daylight, as high shutter speeds are used to balance the daylight and the flashlight at any shutter speed. To capture natural motions, the Rear-curtain Sync mode allows the flash to be triggered immediately before the rear-curtain of the shutter closes, recording blurred trails behind a moving subject rather than in front.

Additional EF-630 features:

  • Intuitive user interface: dot matrix LCD screen for improved menu visibility, D-Pad and dial settings controls, and easy one-click disengage function improve ease of use
  • Modeling flash function: check for intense reflections and shadows before capturing the shot
  • AF assist light: accurate auto-focus in low light conditions
  • Auto Power-off: flashgun automatically powers off after a period of non-operation to conserve battery life
  • Manual flash power level control: manually sets the flash power level from 1/1 to 1/128

The new EF-630 Flash can be updated with the latest software from a workstation or laptop using the Sigma Optimization Pro software and Flash USB Dock (sold separately).

About Sigma Corporation
Since 1961, Sigma has worked toward a single, simple goal: To imagine and develop photographic technologies that push the envelope, empower photographers and produce unparalleled imagery. We’ve honored this commitment by maintaining control of our design, research and development, and manufacturing processes in our own Aizu Factory. Our products are built with premium materials and are known worldwide for quality and performance. Our family-owned organization is the largest, independent SLR lens manufacturer in the world, producing more than 45 lenses that are compatible with most manufacturers, including Sigma, Canon, Sony, Nikon, Olympus, Panasonic and Pentax. Sigma Corporation also produces digital SLR cameras and high-definition digital compact cameras. The company is headquartered in Japan, with offices strategically located throughout Europe, Asia and North America. Photography is all we do, and it’s all we’ve ever done.

For information about Sigma, please visit www.sigmaphoto.com or follow the company on Twitter,Instagram and Facebook.

Categories: Press Releases Tags: , , , ,

24/7 Camera Bags Hit the Photo and Video Scene, Available Now at Adorama

November 18, 2015 Comments off

247tcslNew York, NY – November 17, 2015 – 24/7, a new brand of stylish and discreet camera bags designed to securely hold all the photo and video gear one could need, has just launched The Traffic Collection, its first ever line of camera bags. Created for the urban photographer looking for infallible support and organization when shooting from location to location, the 24/7 debut collection was sleekly designed with impeccable taste, keeping photographers covered, discreetly, from café to boardroom to bustling city streets. The collection currently includes six different styles – the Holster M, the Holster S, the Messenger S, the Pouch, the Shoulder and the Sling. The 24/7 line is the picture-perfect answer for carrying equipment securely and in style, even in the busiest of cities. Bags from 24/7 are available to order now at Adorama.com.

The 24/7 Traffic Collection includes:

Holster M: The Holster M is perfect for the urban photographer, with a design complementary to fast-paced city life. This medium-sized holster can hold a standard DSLR camera and has additional pockets for a memory card and personal items. Its adjustable, removable shoulder strap allows for two different ways to wear – across the body or on the shoulder. With a built-in all-weather cover, the 24/7 Holster M offers the best camera protection possible from the elements. Shop the 24/7 Holster M                    

Holster S: Like the Holster M, the Holster S is also designed for fast-paced city life, but in a more compact size. Made to carry a mirrorless camera and additional personal items in a front organizer and rear pocket, this small holster is wearable across the body or on the shoulder. A built-in all-weather cover gives shooters peace of mind in any environment. Ideal for those spur of the moment trips on the town, the 24/7 Holster S is the perfect size for travel. Shop the 24/7 Holster S

Messenger S: Specially designed for bicyclists, the 24/7 Messenger S is both stylish and discreet. A standard DSLR kit and personal items can easily fit in its large main compartment, and the additional padded insert keeps items from jostling around during a bike ride through the city. An adjustable shoulder strap gives the wearer two options, across the body or on the shoulder, for ultimate support while on the go. Shop the 24/7 Messenger S

Pouch: The Pouch was designed to hold a superzoom camera with plenty of padding and support. It can be carried on the shoulder or attached to the belt for free-hand shooting. This bag also includes a built-in all weather pouch to protect equipment from the elements. Designed for photographers seeking the highest level of convenience, the 24/7 Pouch allows for quick access to equipment with a fast-release front clip. Shop the 24/7 Pouch

Shoulder: The 24/7 Shoulder bag gives commuting professionals style and discretion in a larger carrier for those needing a bit of extra room. With space for a standard DSLR kit and personal items, there is plenty of space to hold all equipment necessary for all-day shooting – and then some. The removable shoulder strap is adjustable for extra support, and its built-in all-weather cover keeps equipment safe from the elements. Shop the 24/7 Shoulder

Sling: The 24/7 Sling gives shooters the ultimate flexibility on the job. With a strap designed for “slinging” the bag from back to front quickly, gear is accessible in a flash. This bag also offers side access that allows users to take their camera out without removing the bag entirely. Its padded harness and quick-adjust buckle provide extra support during fast movement, and with a separate area for personal items, the Sling is ideal for any situation that may arise during an all-day shoot. Shop the 24/7 Sling

The 24/7 Sling InteriorADORAMA: More Than a Camera Store



Adorama is more than a camera store – it’s one of the world’s largest photography, video, audio and computer retailers. Serving customers for more than 35 years, Adorama has grown from its flagship NYC store to include the leading online destination for imaging and consumer electronics. Adorama’s vast product offerings encompass home entertainment, mobile computing, and professional video and audio, while its services include an in-house photo lab, AdoramaPix; resources and gear for photographers, filmmakers, production studios, broadcasting and post houses, and recording artists through Adorama Pro; pro equipment rental at Adorama Rental Company; and the award-winning Adorama Learning Center, which offers free creative education in online channels such as the popular Adorama TV.

Adorama is listed as one of the top five electronics retailers by Consumer Reports, “Best of the Web” by Forbes.com, Internet Retailers Top 100, and is the official Electronics Retailer of the NY Giants.

Visit ADORAMA at www.adorama.com.

[Note: Keep watching for our review of the Messenger S and the Sling.]

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BoinxTV: Broadcast Quality Video Made Easy (Review)

July 16, 2015 Comments off

BoinxTVBoinxTV
Boinx Software, Ltd.
$499.99 for the Professional version*
$49.99 for the Home version

BoinxTV is broadcast quality video casting software that turns your Mac into a TV studio. With BoinxTV, you can create your very own high quality TV show that includes, split screens, picture-in-picture, transitions, crawls, bugs, multiple cameras, automatic upload to YouTube and much more.

BoinxTV on Location

If you want to see me and my videographer, Joseph Butler, creating videos at the Social Media Tulsa event this year with various guests, check out our work. Using BoinxTV on location was easy. Once you make a few basic decisions (video capture resolution, on-screen effects, and lower thirds), you can capture video over and over like we did over a stretch of a few hours.

For our videos, we used the same backdrop, the same lighting, and format throughout the process to keep a consistent look and feel. We also used a directional microphone, but used a second microphone that allowed some ambient sound to leak in because we liked the “busy background” it imparted to the videos.

At the SMTulsa Conference, we created 12 videos. Some of them were done back to back and only required about two minutes of file saving of the previous video and queueing of the new one in between. Joseph created the opening transition that you see just prior to each interview.

BoinxTV is your best friend on location. Seriously. It’s easy to use, easy to queue one recording right after the other, easy to use with multiple sources (cameras), and easy to create great looking, professional video (as demonstrated by our interview dozen). We never had to restart a recording because of a BoinxTV fault nor did we experience any technical issues during its use.

Video Input:

Video Cameras

  • SDI cameras supported via SDI input devices such as the Blackmagic UltraStudio Mini Recorder.
  • HDMI cameras supported via HDMI input devices such as the Blackmagic UltraStudio Mini Recorder.
  • HDV/Firewire cameras supported on Macs with Firewire connectors or via Apple Thunderbolt to Firewire adaptor.
  • USB Webcams
  • Select AXIS network cameras supported via AXIS camera layer
  • The number of video inputs is only limited by the number of interfaces and the bandwidth of the internal bus of your Mac
  • See example configurations for guidance on multi-camera setups

Video and Graphics Files

  • Playback video files of almost any format
  • Use PDF, PNG, JPEG and many more formats for graphics
Presentation Recording

  • Capture PowerPoint or other presentations from a presentation computer via VGA, DVI or HDMI via a capture device like the Epiphan DVI2USB3

Skype and Hangout

  • Skype calls or Hangouts can be recorded using the screen capture source

Screensource

  • Capture output from any application on your Mac via screen recording

See all technical specifications for video, audio, output, and effects.

The only downside of BoinxTV is that it doesn’t work with a lot of DSLR cameras which is bad for YouTubers. It doesn’t work with my Canon T3 nor Joseph’s Canon 60D. It does work with every web camera, my Panasonic HM-TA1, and an older Canon XL1S professional camera, but DSLRs are kind of hit and miss.

Why it’s Frugal: BoinxTV Professional is frugal because it is an all-inclusive TV production studio. You can create anything with it from technical videocasts all the way up to professional TV programs. Frugal.

If you ask me what I think of BoinxTV, I’d have to say I love it. It is a professional studio that is easy to use. So easy that I can do it and before I used it I had no experience with this type of software. At all. The software is easy to use, but extremely powerful. You can do anything with it that you see on Headline News or CNN. I don’t know if they use BoinxTV for their programming, but they probably could.

Joseph has a little different take on BoinxTV. His is from a professional videographer viewpoint. “The application is fairly easy to use, but the interface is a little clunky and pre-recorded video could be easier to use.” Joseph also told me that the video sources would drop when you add a new one to BoinxTV. I noticed the same behavior but had forgotten about it.

BoinxTV is the ultimate production package for YouTube shows. I’d highly recommend it for anyone who wants to create professional, high-quality video programs. In fact, as I discovered, you can do so much on-the-fly with BoinxTV that you might not need to do any “post” work at all. It can all be done in BoinxTV as you’re working.

One of the things I really like about it is that you can create a template for your show so that it looks the same every time–even on location. BoinxTV is everything I could ask for out of a professional studio production program.

Rating: 9/10

Recommendation: Buy it. Use it. Become a YouTube millionaire.

*This review is for BoinxTV Professional

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Flashpoint Introduces Four LED On-Camera Lights to Lineup – On Sale Now!

April 22, 2015 Comments off

Flashpoint 300 LEDNew York, NY – April 22, 2015 – Flashpoint, a leading manufacturer of professional photography and video equipment, is bringing the power of LED lighting to DSLR cameras with four new on-camera lighting units: the Flashpoint 300 LED (on-camera light with audio); the Flashpoint 198 LED (bi-color on-camera light); the Flashpoint 198 LED (VariAngle on-camera light); and the Flashpoint Reporter Super Compact 150 LED (on-camera light).

Light enough to go anywhere with enough light to go everywhere, the newest additions to the Flashpoint family are now available at discounted prices online at Adorama’s official website and at the Adorama superstore, located at 42 West 18th Street in New York City.

Flashpoint 300 LED: On-Camera Light with Audio – 20% Off
The large 300 diode LED gives action videographers and still photographers super bright, high-quality output. With auto light levels, stereo microphones and a signal flash mode, the 300 LED can sense lighting requirements and delivers automatic balance exposure as it passes from one environment to another, making it ideal for run-and-gun shooters looking for the most light on demand. The on-board stereo electret condenser microphones are also invaluable for traveling shooters, minimizing the need to cage-rig a camera for attaching an external microphone. The sensitive mics are distanced from camera sounds on either top corner of the light, delivering clean audio directly to the camera. All fitting comfortably atop a camera’s hot shoe or off-camera via the convenient stand thread, the 300 LED is a comprehensive package in a superior, sleek design.

Flashpoint 198 LEDFlashpoint 198 LED: Bi Color On-Camera Light – 20% Off
The 198 LED Bi-Color has the extraordinary ability to dial in exact color temperature to match or compete with its surroundings. The precision color temperature dial easily adjusts between 3200 and 5600K to provide quick solutions for shooters on the go, meeting every ambient environmental challenge possible. It provides visually accurate color temperatures and flicker-free output with no color shift when dimming. When used outdoors, the small, self-contained LED light produces enough light to alleviate deep shadows while blending available light to add modeling to subjects. Super lightweight, the 198 LED Bi-Color fits comfortably on DSLR hot shoes and off-camera via the convenient stand thread. Compatible with just about any capacity industry standard Sony or Panasonic lithium battery cells as well as universally available AA batteries, the 198 LED Bi-Color gives support where and when it is needed the most.

Flashpoint 198 LED: VariAngle On-Camera Light – 40% Off
The 198 LED VariAngle gives users the ability to focus light for a more precise spread. With a brilliant variable angle beam from a 25-degree spot to a standard 60-degree spread, it offers more versatile power than a normal LED. The unique variable light can deliver illumination beyond the 16 inches achieved with a 60-degree spread because of its light concentration of up to 4470 lumens at 25 degrees. Two additional interchangeable color panels give users instantaneous control between 3200 and 5600K for immediate results. Like its other Flashpoint counterparts, the 198 LED VariAngle is perfect for mobile and location photographers due to its lightweight frame and numerous power options including compatibility with almost any capacity industry standard Sony type lithium battery and universally available AA battery.

Flashpoint 150 LEDFlashpoint Reporter Super Compact 150 LED: On-Camera Light – 29% Off
Super compact and sleek, the Reporter Super Compact 150 LED is a favorite for short photo and video clip needs and interviews. It is designed to be as portable and mobile as a cellphone and even uses a cellphone charger. Ideal for reporters, bloggers, run-and-gun shooters, foodies, and users in need of a backup or emergency light, the Reporter Super Compact 150 LED is perfect for shots on any DSLR or HD camcorder with its 900-lux output. The included removable hotshoe mount with threads makes it easy to use on camera, on a stand or flex-pod, or even handheld. It incorporates a generous 60-degree spread and the added benefit of a pocketsize Smartphone footprint with a self-contained rechargeable battery to create a modern day solution for anyone looking to capture the latest story.

Pricing and Availability
All new Flashpoint LED models are available at steeply discounted prices. The Flashpoint 300 LED (on-camera light with audio) is now available for just 79.95 USD (20% off). The Flashpoint 198 LED (bi-color on-camera light) is available for 79.99 USD (20% off). The Flashpoint 198 LED (VariAngle on-camera light) is available for 89.95 USD (40% off). The Flashpoint Reporter Super Compact 150 LED (on-camera light) is available for 49.95 USD (29% off).

For more information on Flashpoint’s available LED models, or to see the entire Flashpoint lineup, please visit http://www.adorama.com/brands/flashpoint.

About Flashpoint
Used by industry professionals who want superior results, Flashpoint produces the highest quality pro lighting and video equipment our market has to offer while maintaining true value, to help our partner photographers in today’s competitive market. Flashpoint’s most popular products include traditional and wireless/portable strobes and monolights, reflectors, flash modifiers, softboxes, light stands, on-camera video lighting, power packs, and camera and lighting accessories.

Flashpoint’s Power Station was recognized by Professional Photographer magazine with a 2014 Hot Ones Award. Available exclusively at Adorama, customers can visit the Flashpoint brand store online to shop: http://www.adorama.com/brands/flashpoint, or visit the Adorama Learning Center to learn more about Flashpoint products: http://www.adorama.com/alc/search/node/flashpoint.

About Adorama
Adorama is more than a camera store – it’s one of the world’s largest photography, video, imaging and electronics retailers. Serving customers for more than 35 years, Adorama’s vast product offerings encompass home entertainment, mobile computing, and professional video and audio, while its services include an in-house photo lab, AdoramaPix, pro equipment rental at Adorama Rental Company, and the award-winning Adorama Learning Center and AdoramaTV.

Adorama is listed as one of the top five electronics retailers by Consumer Reports, “Best of the Web” by Forbes.com, Internet Retailers Top 100, and is the official Electronics Retailer of the NY Giants. Visit Adorama at http://www.adorama.com.

Categories: Press Releases Tags: , , , , ,

New Photography Lightstands and Accessories From Flashpoint Now Available Exclusively From Adorama

February 19, 2015 Comments off

adorama

New York, NY – February 19, 2015 – Adorama, one of the world’s largest photography, video, imaging and electronics retailers, has released a handful of new products to complement its award-winning Flashpoint accessory line. The latest releases include the Flashpoint Auto Stand (in 7’ and 9’ models), the Flashpoint Telescopic Reflector Holder and two new Flashpoint Flip-Flash Brackets. All items are now available with complimentary shipping.

Flashpoint Auto Stand (7’ and 9’)
The Flashpoint Auto Stand, available in both 7’ (http://www.adorama.com/FPLS7AS.html) and 9’ (http://www.adorama.com/FPLS9AS.html) models, is a heavy-duty yet lightweight support with an ultra-quick setup, perfect for solo photographers carrying their own gear, as well as assistants helping with location changes. Setting up the Flashpoint Auto Stand is as simple as placing it on the ground, as the stand legs instantly extend outward. Automatically retracting legs make location changes easy and discreet – simply lift and relocate into those tight spaces where fitting an already-extended stand is impossible, like between church pews during a wedding ceremony shoot.

The 7-foot option adjusts from approximately 3.1’ to 7’ and folds down to 30” for storage and transport. The 9’ option adjusts from approximately 3.5’ to just over 9’ and folds down to 40”. Both options come with a reversible 5/8” stud, with a 1/4”-20 thread on one end and 3/8” on the other, which can be vertically or horizontally mounted as needed.

For more information on the 7’ and 9’ Flashpoint Auto Stand models, please visit:http://www.adorama.com/searchsite/default.aspx?searchinfo=flashpoint+auto+stand.

Flashpoint Telescopic Reflector Holder
The Flashpoint Telescopic Reflector Holder (http://www.adorama.com/FPXBKPR01.html) is designed to hold a 5-in-1 portable reflector (such as these models from Glow:http://www.adorama.com/searchsite/default.aspx?searchinfo=glow+portable+5+in+1+reflector+kit) at any angle. Specially designed for collapsible reflectors, the holder allows users to place light-shaping accessories in any position for maximum impact. The standard 5/8” stand receiver can be connected to light stands and booms, while the ballhead design allows for quick and precise positioning and locking.

After telescoping the aluminum alloy rod to the required reflector length, the balance can be adjusted easily by positioning the rod above the central axis using knobs. With an easy-pinch design and a large, adjustable handle, the Flashpoint reflector holder manages the mechanics while leaving the creativity to the user. Its lightweight design makes for flawless transportation while retaining the sturdy, solid frame Flashpoint is known for.

Flashpoint Flip-Flash Brackets
With two different Flashpoint Flip-Flash Bracket models to choose from, users can be assured that their lighting quality is perfect in every situation. The first of the two options, the Flip-Flash Bracket (http://www.adorama.com/FPXBKFL01.html), has a rotating arm that positions the flash farther from the lens while staying directly above it, regardless of the camera’s orientation. The second, the Rotating Camera Flip-Flash Bracket (http://www.adorama.com/FPXBKFL05.html), allows the camera to actually swivel inside of the bracket for ultimate flash manipulation. Unique to Flashpoint, both models have an integrated anti-twist plate on the platform that the camera rests on, to prevent the camera from twisting off axis during swivel motions.

Both Flashpoint brackets allow users to smoothly rotate flash and SLR cameras up to 90 degrees for vertical and horizontal shots while eliminating red-eye and side shadows. The speedlight flash support arm is designed with a 180-degree range of travel for creative flash effects. With a lightweight aluminum frame and a comfortable foam grip, both brackets are easy to hold in heavy use and at rest between shots, giving users the most control possible.

Pricing and Availability
All new Flashpoint models are now available for purchase through Adorama’s official website, or at the Adorama Superstore, located at 42 West 18th Street in New York City. The Flashpoint Auto Stands each retail at 49.95 USD (7’ model) and 69.95 USD (9’ model) – after a $10 instant rebate. The Flashpoint Telescopic Reflector Holder retails at 39.95 USD. The Flashpoint Flip-Flash Bracket retails at 19.95 USD, and the Rotating Camera Flip-Flash Bracket retails at 29.95 USD.

For additional pricing information, or to explore other exciting camera accessory options from Adorama, please visit www.adorama.com.

ADORAMA: More Than a Camera Store
Adorama is more than a camera store – it’s one of the world’s largest photography, video, imaging and electronics retailers. Serving customers for more than 35 years, Adorama has grown from its flagship NYC store to include the leading online destination for photography, video and consumer electronics. Adorama’s vast product offerings encompass home entertainment, mobile computing, and professional video and audio, while its services include an in-house photo lab, AdoramaPix, pro equipment rental at Adorama Rental Company, and the award-winning Adorama Learning Center, which offers free education for photographers in online channels such as the popular Adorama TV.

Adorama is listed as one of the top five electronics retailers by Consumer Reports, “Best of the Web” by Forbes.com, Internet Retailers Top 100, and is the official Electronics Retailer of the NY Giants.

Visit ADORAMA at www.adorama.com.

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