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Posts Tagged ‘video’

IK Multimedia launches iKlip A/V – The first smartphone broadcast mount for capturing pro-quality audio for mobile video

June 23, 2016 Comments off
IK Multimedia. Musicians First.

June 23, 2016 IK Multimedia is pleased to announce that iKlip® A/V, the first broadcast mount for professional audio and video recording with smartphones is now shipping. iKlip A/V now gives broadcasters, videographers and digital storytellers the ability to capture and monitor professional-quality audio for their videos on the go using its integrated high-quality XLR mic preamp with phantom power and built-in wireless receiver support. It also helps deliver a steady picture thanks to its secure smartphone holder and ergonomic handgrip. iKlip A/V gives everyone the power to use their smartphone or compact video camera as a full-featured broadcasting solution with professional quality audio.

IK Multimedia launches iKlip A/V

Exceptional audio
Until now, getting pro quality audio while shooting video on a smartphone had been a challenge. Developed in Italy with input from professional field reporters and broadcasters as a cost effective – and more readily available – alternative for field reporting, iKlip A/V is designed to help videographers capture professional quality audio for their mobile video productions. iKlip A/V is also perfect for mobile reporting through online media outlets or social channels like Facebook, Periscope or Snapchat, or smartphone filmmaking for YouTube, Vimeo or Instagram. It features an integrated microphone preamp with gain control that lets users record with high-quality external microphones thanks to its XLR input. iKlip A/V also delivers 48V phantom power for high-end condenser mics using two AA batteries and features a built-in support bracket that can hold most popular wireless microphone receivers. Its input gain control, headphone monitoring output and 1/8″ TRRS audio output ensure a great signal no matter what microphone or device is used providing streamlined recording experience.

Steady and secure
iKlip A/V features a large ergonomic handheld grip and an expandable smartphone holding bracket that shares the same technology as IK’s iKlip Xpand Mini and the iKlip Grip for ultra-steady shooting. It can securely hold any iPhone, iPod touch or Android device with a screen size from 3.5″ to 6″. iKlip A/V can also be attached to a monopod or tripod thanks to the standard female threads on the underside. Its smartphone holder bracket can be detached and replaced with a compact video camera thanks to its standard camera mount. No matter how it’s used, iKlip A/V delivers an effortlessly stable picture quality.

Completely connectible
iKlip A/V works with any smartphone or camera that accepts a 1/8″ (3.5mm) TRRS (CTIA/AHJ wiring standard) audio input. With an optional iLine Camera Adapter cable, iKlip A/V can be used with any camera that has an auxiliary microphone TRS input, meaning that it can deliver great broadcast-quality results with any compatible device that can either fit on its grip or fit on iKlip A/V’s standard camera mount.

Pricing and availability
iKlip A/V is available now from photo/video, music and electronics retailers worldwide, and from the IK online store, for only $/€179.99 (excluding taxes).

For more information, please visit www.iklipav.com

AdoramaTV Hits Major Milestone with 400K Subscribers on YouTube

March 1, 2016 Comments off

AdoramaNew York, NY – March 1, 2016 Adorama, one of the world’s largest photography, video, audio, imaging and electronics retailers, is pleased to announce it’s just hit a major milestone with more than 400,000 subscribers to its AdoramaTV YouTube channel. Featuring the latest photography tips, new product reviews, gear guides, tutorials, lighting how-to’s and more, AdoramaTV has something for any visual creator wanting to have more fun and a better experience with their camera.

“AdoramaTV is the preeminent source for videos related to photography and video,” comments Alana Casner, AdoramaTV manager. “Of course we have new product releases and gear reviews, but what sets AdoramaTV apart is how we connect with our viewers and create engaging creative content. We have over a dozen hosts that share their experiences, knowledge and tips to over one-million viewers a month. We believe having real professionals tell their stories and share their craft is why our audience is engaged with our videos and why they gain confidence and desire to explore their own creative directions with photography and video.”

In addition to featuring informative and educational content on AdoramaTV, the popular YouTube channel is also home to its AdoramaOriginal series, Through the Lens, as well as hosted original content which includes Breathe Your Passion with Vanessa Joy; Two Minute Tips with David Bergman; and Exploring Photography with Mark Wallace. Through all of its online series, Adorama is committed to providing viewers with engaging content that will inspire and help them feel more confident when creating images. By seeking out the best products and showcasing them in real-world situations on AdoramaTV, viewers can make the best decision based on their own desires.

Tune in to AdoramaTV today for the latest tips from photography pros like Mark Wallace, Gavin Hoey, Ruth Medjber, Bryan Peterson, Tamara Lackey and more!

ADORAMA: More Than a Camera Store
Adorama is more than a camera store – it’s one of the world’s largest photography, video, audio and computer retailers. Serving customers for more than 35 years, Adorama has grown from its flagship NYC store to include the leading online destination for imaging and consumer electronics. Adorama’s vast product offerings encompass home entertainment, mobile computing, and professional video and audio, while its services include an in-house photo lab, AdoramaPix; resources and gear for photographers, filmmakers, production studios, broadcasting and post houses, and recording artists through Adorama Pro; pro equipment rental at Adorama Rental Company; and the award-winning Adorama Learning Center, which offers free creative education in online channels such as the popular Adorama TV.

Adorama is listed as one of the top five electronics retailers by Consumer Reports, “Best of the Web” by Forbes.com, Internet Retailers Top 100, and is the official Electronics Retailer of the NY Giants.

Visit ADORAMA at www.adorama.com.

IK Multimedia premiers iKlip A/V – the first smartphone broadcast mount for professional mobile audio and video

January 5, 2016 Comments off

January 5th, 2016 IK Multimedia is pleased to present iKlip® A/V, the first broadcast mount for professional audio and video recording with smartphones. An industry first, it’s a system that gives professional broadcasters and videographers the ability to capture and monitor pro-quality audio on the go via its integrated high-quality XLR mic preamp with phantom power and built-in wireless receiver support. It also delivers a steady picture thanks to its smartphone holder and hand-held grip. Designed for mobile broadcast professionals, iKlip A/V gives everyone the power to use their smartphone as a full-featured camcorder.

iKlip A/V

Exceptional audio
Developed in Italy with input from professional field reporters and broadcasters as a cost effective – and more readily available – alternative for field reporting, iKlip A/V is designed to help videographers capture professional quality audio for their mobile video productions. It features an integrated microphone preamp with phantom power that lets users record with high-quality external microphones via its XLR input. iKlip A/V provides 48V phantom power for high-end condenser mics via two AA batteries. It also features a built-in support that can hold most popular wireless microphone receivers. And its gain control, headphone monitoring output and 1/8″ TRRS audio output ensure a great signal no matter what microphone or device is used. And all of these features are built into iKlip A/V’s ergonomic grip for a streamlined, unmatched recording experience.

Steady and secure
iKlip A/V’s design allows for a steady shooting. It features a large ergonomic handheld grip and an expandable smartphone holding bracket that shares the same technology as IK’s iKlip Xpand Mini. It can securely hold any iPhone, iPod touch or Android device with a screen size from 3.5″ to 6″. iKlip A/V can also be attached to a monopod or tripod thanks to the standard female threads on the underside. Its holder can be detached and replaced with a compact video camera thanks to its standard camera mount. No matter how it’s used, iKlip A/V delivers an effortlessly stable picture quality.

Completely connectible
iKlip A/V works with any smartphone or camera that accepts a 1/8″ TRRS (CTIA/AHJ wiring standard) audio input. This means that it can deliver great broadcast-quality results with any compatible device that can either fit on its grip or fit on iKlip A/V’s standard thread tripod/camera mount.

Similarly, iKlip A/V is compatible with all popular mobile video recording apps. This includes favorites like Apple’s Camera app as well as third party apps that provide more control, like Filmic Pro.

Pricing and availability
iKlip A/V will be available in April 2016 from music and electronics retailers worldwide, and from the IK online store, for only $/€179.99 (excluding taxes).

For more information, please visit www.iklipav.com

Real time color correction with Premiere Pro Mercury Playback. New trackpad control capabilities. Support for DaVinci Resolve. New Looks Presets and LUTs

September 27, 2015 Comments off

RED GIANTPortland, Oregon – September 23, 2015 – Red Giant today announced the availability of Magic Bullet Suite 12.1, a free update to the Magic Bullet Suite 12 color correction, finishing and film looks solution. Packed with new features, presets and host support, the Magic Bullet Suite 12.1 update offers a more fluid color correction experience that includes new trackpad controls and real time color correction during video playback.

Magic Bullet Suite 12 includes Magic Bullet Looks, Magic Bullet Colorista III, Magic Bullet Film, Magic Bullet Mojo, Magic Bullet Cosmo, Denoiser II and LUT Buddy with new key v12.1 features and capabilities in the following:

Magic Bullet Looks (v3.1)

  • A more intuitive and fluid way to control color correction tools, Trackpad Mode lets users interact with Looks using the computer’s trackpad, a control surface they already own.
  • Updated LUT tool with new LUTs and Looks
  • Support for DaVinci Resolve

Magic Bullet Colorista III (v1.1)

  • Support for OpenCL and Cuda allows for real time color correction during video playback via Adobe Premiere Pro’s Mercury Playback Engine.
  • Back by popular demand, Skin Overlay makes it easy to verify and correct skin tones.
  • Keyer “Cut Out” mode uses the Colorista Keyer to create layer transparency for more powerful, layered color corrections.

Magic Bullet Film, Cosmo, Mojo

  • Magic Bullet Film, Cosmo and Mojo now support Blackmagic DaVinci Resolve. This adds to their existing host application support for Adobe Premiere Pro, After Effects and Apple Final Cut Pro X, allowing users to work within their editing environment of choice.

Magic Bullet 12.1 Tutorials

How to Update to Magic Bullet Suite 12.1
To update an existing Magic Bullet Suite, please visit http://www.redgiant.com/product-downloads/ or use Red Giant Link to update. For more information, or to purchase, please visithttps://www.redgiant.com/products/magic-bullet-suite/.

The Red Pledge
Red Pledge is Red Giant commitment to customer happiness, with no purchasing hassles. Learn about the Red Pledge guarantee at www.redgiant.com/redpledge/.

About Red Giant
Red Giant is a software company made up of talented artists and technologists who collaborate to create unique tools for filmmakers, editors, VFX artists, and motion designers. Our company culture is focused on finding balance between work and life – we call it “the double bottom line” – this philosophy helps us ignore complexity in favor of building simple tools that yield giant results. Over the last decade, our products (like Magic Bullet and Trapcode) have become the standard in film and broadcast post-production. With countless users around the world, it’s nearly impossible to watch 20 minutes of film or TV without seeing our software in use. From our experiences as artists and filmmakers, we aspire to not only to provide tools for artists, but inspiration as well. Watch our films, learn from our free tutorials and behind the scenes, or try our software at www.redgiant.com.

TomTom Bandit Action Camera (Review)

July 23, 2015 Comments off

TomTom Bandit Action CameraTom Tom Bandit Action Camera
TomTom
$ 399.00 Amazon (Prime)

The TomTom Bandit (Bandit) is an action camera that is for those who are into sports and other high energy activities. It captures moments in time in several formats, from HD to 4k, single to burst photos, slow motion, time-lapse to Cinematic video,  and viewable in normal or wide angle. The options are many. Photo size is from 8 to 16 megapixels. The suggested storage media to use is a Class 10 microSD card on which to store your video and pictures. The Bandit allows you to quickly capture, share, and continue your activities with few interruptions to the action. The TomTom Bandit Action Camera is the ultimate selfie machine. Film yourself in the action and post it. Done.

Bandit Highlight Video

While reviewing this camera, I received many comments and questions from passersby. Because of its unusual appearance, people would approach me for a closer look. Some thought it was a robot at first. Once I told them it was an action camera, they related it to a GoPro, but commented that it looks much nicer. They liked the shape and the overall design, instead of looking like a box.

Bandit connected to iPhone appNavigating the menus is easy to do by toggling through each section to select your options. There two buttons and one directional pad, which helps you flip though the choices. The main button, with the “star” on it, is your action button, both for capturing events and powering on the unit. While moving through the menus, all you need to do is use the directional pad to traverse the choices. Once you decide in which format you want to capture, you can select the “star” button and begin filming or taking photos. Using a 32 GB Class 10 microSD you can capture several hours of continuous footage.

Item Weight 6.6 ounces
Product Dimensions 3.7 x 1.5 x 2.1 inches
Item model number 1LB0.001.00
Batteries: 1 Lithium ion batteries required. (included)
Warranty 1 year limited

Sharing the video can be done in three basic ways. First, you can connect to your cell phone via the wireless network that the Bandit broadcasts. Second, you can connect through the USB. And third, you can remove the microSD card and use a memory reader. If you use the first method you can use the app, Bandit, which is downloadable from play Store for the Android or AppStore for apple phone. At that point you can let the app create a highlight video. There are several ways that can be done as well. First, and the most fun and simple, is to shake the phone. After the quick shake you have 60 to 90 seconds of video ready to play and share on your social media accounts. Second, you can select the high points yourself and lay out the time line. You can add the overlay options with either choice. The first option is your music and the other two options are speed and g-force. See the video above for a demonstration of speed.

Bandit Exploded ViewThere are a few things that this product does lack and documentation is certainly one of them.  What I mean by that is there is limited information about how to use the product and how to get your fun video to the people in your social circles. The menu it is intuitive and easy to use, so a lot of documentation might not be necessary for those who like to dive right in. One of the things that I learned rather quickly by experimentation is that I had to first enable the Wi-Fi broadcast from the Bandit.  You are then able to connect your phone to the Bandit network. Once you establish connectivity between your phone and the Bandit, you have the ability to edit, preview, control, and create videos from previously recorded activities.

“The TomTom Bandit Action Camera is the ultimate selfie machine.”

Bandit Wi-Fi ReadyEven though the documentation on how to use the Bandit is poor as I wrote earlier, the menu is much like a Timex watch from the old school days. You are able to quickly determine what to do and how to get there. We are now in a society of instant gratification in that we all love the quick and easy how to. It’s like your old Timex watch and like the apple IPhone–really did you ever read the instructions on how to use your watch or your iPhone?  No, probably not. Using the Bandit is as simple as the IPhone and the Timex watch are.  The ease of use and built-in instant gratification functionality allows you to share your videos “in the moment” and not hours  or days later, but actually while the action is still fresh.

Why it’s Frugal: The Bandit is frugal because you spend no time creating a highlights video. Just film, shake, and repeat. Time is money and that’s a frugal use of your time. At $399, it’s roughly the same price as the GoPro Hero 4, but does so much more and seems more rugged for your investment. Plus it is water resistant out of the box. 

I have more than 15 years of video editing and production experience and within in a few minutes I produced and posted video of my events to social media. Combining my passion of video/photography and bicycle riding has been a great combination for the TomTom Bandit Action Camera. In the past bringing a bike riding video from filming to editing, to producing, to viewing was a really big deal. Whereas this product allows me to film in the moment and to pass that glimpse of passion to those in my social network, even before my heart stops pounding and the before the sweat has a chance to dry on my face. Before the Bandit, I would have to ingest the video, preview the video, find the high points, edit the video manually, produce the video, and then manually upload the video.

Bandit ProfileThe TomTom Bandit Action Camera is for who want to do something and share it right away. It’s fun and easy to use. What more could you want from the ultimate selfie machine?

Rating: 8/10

Recommendation: Buy it and get ready to have fun.

Adorama Rental Co Supports Indie Filmmakers at the 2015 Tribeca Film Festival

April 21, 2015 Comments off

New York, NY – April 21, 2015 Adorama Rental Co (ARC), the industry source for professional cinematographers, videographers and photographers, is sponsoring and hosting a number of Tribeca Film Festival activities, taking place from April 15th through 26th. Events include sponsoring Tribeca Talks Master Class: The Producers, as well as hosting a day at The Lincoln Black Label Filmmaker’s Lounge at Spring Studio’s on April 22nd, where ARC along with Sony will be presenting the Sony FS7 4K camera. In addition to sponsoring a number of festival events, ARC will be supplying all equipment to power the live stream of all Tribeca events, including classes, panel discussions and much more.

Supporting the Indie Filmmaking Community in the Lincoln Black Label Filmmaker’s Lounge – Plus, See the Sony FS7!
On April 22nd, ARC is inviting all filmmakers participating in the festival to the Lincoln Black Label Filmmaker’s Lounge, which will be hosted in Spring Studios where the main festivities will take place. All who attend will have the opportunity to sit back and relax while networking with peers.

Also featured at the ARC day at the Lincoln Black Label Filmmaker’s Lounge will be the Sony FS7 4K camera, to be demoed by Sony’s own Juan Martinez. Specifically designed with independent filmmakers in mind, the FS7 is ideal for documentaries, indie features, reality TV and more, with its handheld form-factor and stunning 4K image quality.

ARC Drives Tribeca Film Fest Live Stream
A New York City staple when it comes to the best gear for filmmakers big and small, ARC is providing all of the equipment to stream Tribeca Film Fest events, classes, panel discussions and more over the internet as well as for archiving purposes. Visit the Tribeca Film Festival website between April 15th and April 26th to be a part of all the festival action.

Tribeca Talks Master Class: The Producers
Showing support for the indie filmmaking community, ARC also sponsored the free-to-attend Tribeca Talks Master Class: The Producers on April 16th, which featured a panel discussion on the trials and tribulations independent producers today face, as well as the lessons learned throughout each unique experience. Moderated by The Hollywood Reporter’s Tatiana Seigel, the panel included:

  • Matt Parker (“Beasts of the Southern Wild”)
  • Olivia Wilde (“Meadowland”)
  • Carly Hugo (“Bachelorette”)
  • Alex Orlovsky (“Blue Valentine”)

View the complete Tribeca Film Festival schedule here for a look at all of the events going on.

About Adorama Rental Co
Adorama Rental Co has been in business since 1988 and has become the ultimate industry source for professional cinematographers, videographers and photographers. ARC rents and supports a full range of still and motion cameras, including lenses and accessories, lighting and grip equipment. It is a “one-stop” destination for every kind of shoot, carrying the most comprehensive list of DSLRs, digital backs, video and digital cinema cameras, strobes and continuous lights, at rates that make sense. Adorama Rental Co (ARC) is a division of Adorama, one of the world’s largest photography, video, imaging and electronics retailers. Visit Adorama Rental Co (ARC) at www.adoramarentals.com.

Introducing the Grip&Shoot Bluetooth Smart Grip for iPhone

April 6, 2015 Comments off

The Grip&Shoot Smart GripThe Bluetooth Smart Grip for iPhone
Grip&Shoot
$99.95 (Black or White)

I’ve seen several iPhoneography camera holders, mounts, and brackets to give the iPhone a more DSLR-type experience. The Grip&Shoot is a little different in that it’s not just a one-trick pony product. It is actually multiple products in one. The current Grip&Shoot (G&S) retail package comes with an iPhone 5 Shooter Case, an iPhone 4S Shooter Case, a Bluetooth Smart Grip, a Grip Adapter, a Carrying Pouch, a Wrist Lanyard, and a late edition includes the JawZ Universal Adapter.

Because there are so many parts to discuss, I’ll cover each one in its own subsection.

iPhone Shooter CaseShooter Cases

The Shooter Cases that come with the G&S package are pretty standard case fare with the exception of the G&S attachment on one side. The cases are actually suitable for regular use. The attachment portion isn’t really obtrusive or inconvenient, so you basically get a free case in the bargain. Two cases currently come with the G&S package, one for the iPhone 4S and one for the iPhone 5.

Bluetooth Smart GripBluetooth Smart Grip

The Smart Grip is really the meat and potatoes of the G&S package and even if you lost all the other parts, this one has the functionality you purchased. It is the Bluetooth connection, the trigger, and the connector for the Shooter Case or for the JawZ universal adapter.

The Smart Grip also has a (+) and a (-) button for zoom in and zoom out functions. You can take photos or start/stop video through the G&S app. The G&S device does not work with any other app on your phone. You must use the G&S app for functionality.

The bottom portion of the G&S Smart Grip is removable and can act as a remote stand for your phone for selfies, group shots, or just to place somewhere that isn’t convenient to stand. You fire the camera from the Smart Grip and you have a stable surface that kind of acts like a tripod, only a lot more portable. It works as a remote shutter release over 100 feet away from the phone.

Smart Grip Detail

Compatible devices:

iOS

  • iPhone: 4S and newer
  • iPod: 3rd Gen and newer
  • iPad: 3rd Gen and newer
  • iPad Mini: All supported

Android (Kit-Kat 4.4 and newer)

  • Nexus 4
  • Nexus 5
  • Asus Nexus 7
  • HTC One
  • Samsung Galaxy S4, S5
  • Samsung Galaxy Note 3, 4
  • Samsung Galaxy Tab2
  • Samsung Galaxy Ace3
  • Sony Xperia

Grip AdapterGrip Adapter

OK, I’ll admit that I was going to criticize the G&S for missing one of the most important features of any photo-related device: a tripod interface. Well, wouldn’t you know it…the G&S folks put one on there. It’s part of the so-called Grip Adapter attached to the bottom of the removable stand. You can screw this into a tripod mount on any device that has one and you can also put the G&S device on a tripod after removing the Grip Adapter. So, it really serves two purposes. Three if you count the third one as I wasn’t able to criticize the lack of a tripod mount. You can unscrew the Grip Adapter with a penny and the screw is designed to remain in the adapter and not fall out onto the ground to be lost forever. Indeed, the G&S people thought of everything.

Why it’s Frugal: The G&S package is frugal because it’s so much more than simply a phone grip to steady your phone for pictures. It’s the full package created by someone who knows photography and phoneography. Honestly, it might be the best sub $100 accessory you can buy for your phone. It has everything. If you tried to buy the package components separately, you might end up spending close to $200. It’s a frugal value.

Carrying PouchCarrying Pouch

The Carrying Pouch is a magnetic closure protective case that not only stores your G&S, but also your phone. It features quick open/close flaps for you rapid shooters, a belt clip, and two belt or strap loops for attaching to a purse strap, a camera case strap, or your belt. It has a plush, non-abrasive interior covering to protect your phone and your G&S. Have I said that the G&S designers thought of everything?

Wrist Lanyard

For those of you who are really rapid shooters, the package includes a wrist lanyard that loops through an opening in the Removable Stand. Put it on and let ‘er swing. Handy, thoughtful, and sturdy.

JawZ Universal AdapterThe JawZ Universal Adapter

Finally I get to my favorite G&S accessory: The JawZ Universal Adapter. I already have a case for my phone. I don’t want to remove it to use it with the G&S, so I thought, “Gee, it would be nice if…” And, of course, before I could finish that sentence, I found the adjustable JawZ universal adapter that fits just about any phone, including the case. <Sigh> What’s a techno gadget critic to do when there’s nothing to complain about for a product? Just enjoy the product that was obviously made by someone who knows photography/iPhoneography as well as I do?

As painful as it is to do it, I have to admit that the G&S package is everything you need to be a successful phoneographer. For phone photos and video, I’m not sure it can be beat. And yes, I’m an Apple product bigot here because it was originally touted as a gadget for the iPhone, but apparently the G&S geniuses have extended that functionality to other phones as well. Great job guys. I know it’s not really a criticism, but it’s the best I have for one–that G&S extended its reach to customers other than those who spend a lot of money on Apple stuff.

If you couldn’t tell, I really like the Grip&Shoot Bluetooth Smart Grip package. I think it’s well worth the $99.95 price tag and that anyone who’s into phoneography needs to get one.

Rating: 10/10

Recommendation: Buy it. It’s versatile, rugged, and is an awesome phoneography accessory.

New Red Giant Shooter Suite 12.6.1 Release Keeps RED Camera Media In Sync

December 4, 2014 Comments off

Red GiantPortland, OR – December 4, 2014 Red Giant today released the latest update to its powerfulShooter Suite, a collection of purpose-built applications that give directors of photography, videographers, shooters and filmmakers the automation and workflow capabilities they need to offload, analyze, touch up and synchronize digital media destined for post. Headlining the Shooter Suite 12.6.1 release is PluralEyes 3.5.5 support for RED camera media.

The go-to tool for audio and video sync automation, PluralEyes support for RED media ensures users can easily sync multi-camera and dual-system audio production media shot on RED cameras in a matter of seconds. Thanks to its outstanding accuracy, the new PluralEyes update even supports sync automation for spanned RED media, treating multiple files as a single logical clip. The update also enhances the overall export workflow and includes a new welcome video tutorial to help new users start using PluralEyes faster than ever before.

In addition to the new PluralEyes update, the Red Giant Shooter Suite includes a number of improvements to the Offload, BulletProof and Instant 4K applications.

Free Update for Existing Shooter Suite 12.6 and PluralEyes 3.5 Customers
The Red Giant Shoot Suite 12.6.1 release is free to existing 12.6 users and can be downloadedhere or use Red Giant Link to update.

PluralEyes 3.5 users will receive a notification upon software launch that an update is available.

Shooter Suite and PluralEyes Pricing
Red Giant offers the full Shooter Suite 12.6.1 package for 399.00 USD. Existing Shooter Suite users who fall outside the free update guidelines can update their existing applications for 99.00 USD.

PluralEyes 3.5.5 is sold as part of the Shooter Suite Shooter Suite 12.6.1 and as a standalone product for $199.00 USD. Existing users who fall outside the free update guidelines can update their existing PluralEyes solo application for $79.00 USD.

The Red Pledge
The Red Pledge is Red Giant’s commitment to customer happiness, with no purchasing hassles. Learn about the Red Pledge guarantee at www.redgiantsoftware.com/redpledge/.

About Red Giant
Red Giant is a software company made up of talented artists and technologists who collaborate to create unique tools for filmmakers, editors, VFX artists, and motion designers. Our company culture is focused on finding balance between work and life – we call it “the double bottom line.” This philosophy helps us ignore complexity in favor of building simple tools that yield giant results. Over the last decade, our products (like Magic Bullet and Trapcode) have become the standard in film and broadcast post-production. With over 200,000 users, it’s nearly impossible to watch 20 minutes of TV without seeing our software in use. From our experiences as artists and filmmakers, we aspire not only to provide tools for artists, but inspiration as well. Watch our films, learn from over 200 free tutorials, or try our software at redgiant.com.

Red Giant Universe Covers New Territory With Version 1.3

November 20, 2014 Comments off

Red GiantPortland, OR – November 18, 2014 – The Red Giant Universe is expanding once again with the release of Universe 1.3, the latest update to the world’s fastest growing visual effects environment for Adobe After Effects and Premiere Pro, Apple Final Cut Pro X and Motion, Sony Vegas and now, Blackmagic’s DaVinci Resolve. Now with 81 effects, version 1.3 features 13 new tools, seven of which are high-quality plugins from the wildly popular developer, CrumplePop. The new update also adds support for Blackmagic DaVinci Resolve, along with several updates to existing effects.

What’s New in Universe 1.3 Video – vimeo.com/111214739

“The Universe 1.3 update is full of some truly awesome stuff, including tools from CrumplePop, which were never before available outside of Final Cut. This update also features the all-new, highly realistic VHS effect, and support for a new host app: DaVinci Resolve,” states Aharon Rabinowitz, Red Giant’s head of marketing. “Resolve users have been asking us to bring tools like Knoll Light Factory EZ, Holomatrix and Retrograde into their app of choice, and today we’re excited to make that happen.”

“I love the vast amount of effects I can apply to my footage with Universe. It allows me to create truly unique looks that stand out from what everyone else is making,” comments filmmaker Joey Shanks of Shanks FX, who works in association with PBS Digital Studios. “And it’s really nice to know that such a powerful bundle of effects can evolve just like an artist. Universe’s tools are always expanding. It gives me the power to create high-end imagery with a practical workflow.”

Thirteen New Tools for Free and Premium Users
New tools for both free and premium users as well as enhanced and redesigned presets to existing tools, the expanded Universe release includes:

Free:

  • CrumplePop Photo 2: Give footage the look of a classic or instant photo. Includes tools for color treatments, vignettes, camera blur and more.
  • CrumplePop Noir Moderne Light: Create dramatic noir lighting effects with saturation controls, optically captured vignettes, flickering, Venetian patterns and more.
  • PixelGlow EZ (voted on in Universe Labs): An effect that isolates the brightest pixels and applies a glow in a variety of preset shapes to mimic halos, sparkles and shimmers.
  • 3D Venetian Transition: A transition that divides the layer into vertically rotating sections, while simultaneously revealing a second layer of footage.
  • Fill Alpha: A simple utility effect that floods an alpha channel with a color, with variable blending with the original; includes a unique, highly requested blending parameter.
  • Sobel Edges: A useful “find edges” stylize effect with variable blending, using the Sobel gradient method to highlight footage edges.

Premium:

  • CrumplePop Fisheye Fixer: An effect designed specially for GoPro® to correct GoPro fisheye lens distortion.
  • CrumplePop ShrinkRay: A fast and easy way to make big things look tiny by simulating a tilt shift effect.
  • CrumplePop Finisher: Use this effect to easily and dramatically improve the image quality of DSLR footage.
  • CrumplePop Overlight: A lens flare and light leak texture plugin that makes it easy to apply washed-out glows and lens flares to footage.
  • CrumplePop Grain 16: Using real 16mm film grain, add this effect to footage for the beautiful texture of authentic film.
  • VHS: Gives modern footage the classic look, color and distortion of old videotape.
  • Chromatic Aberration: A simulated lens distortion effect that mimics real-world lens aberration, in which there is a failure of a lens to focus all colors to the same convergence point; includes color splitting, lens distortion, blurs and lens textures for added realism.

New Effect Controls in the UI:

  • New to ToonIt Paint: A new Soft Strokes effect has been added to the Paint style drop down menu
  • A new Sketch Outline effect can be found in the UI of ToonIt CartoonToonIt Paint, ToonIt Outlines, and ToonIt Retouch

New Presets:

  • ToonIt Paint, ToonIt Presets, and ToonIt Transitions: New Presets featuring the Soft Stroke effect
  • ToonIt Outlines: Four new presets demonstrating the new Sketch Outlines effect
  • ToonIt Paint: A new preset Water Color, using the existing Watercolor paint effect

Support for Blackmagic Design DaVinci Resolve
Version 1.3 continues Red Giant’s expansion into new host applications with new DaVinci Resolve compatibility. All of the 80+ Universe plugins can now be used in the Resolve workflow, version 11.1 or later.

“We’re really excited to have more than 80 new OFX effects and transitions available for DaVinci Resolve,” says Dan May, president of Blackmagic Design. “Red Giant makes some of the best motion graphics and visual effects plugins in the industry, and we know our users will enjoy having access to Universe’s free and premium tools right within Resolve 11.”

Pricing & Availability
Existing Red Giant Universe users can download version 1.3’s new tools and updates from Red Giant’s website. For new users, Universe is available in a variety of options:
• Basic Membership: Free
• Premium Monthly: $10
• Premium Yearly: $99
• Premium Lifetime: $399

Learn more about special premium membership benefits at redgiant.com/store/universe/pricing. For Universe downloading instructions, please visit redgiant.com/universe.

Members of the press are invited to review Red Giant Universe 1.3. For more information, please contact Anya Oskolkova at anya@zazilmediagroup.com.

Imagery: dropbox.com/sh/cs4haps5pbw25dq/AABI564ifzsGl0bbACnaR9kRa?dl=0

The Red Pledge
Red Pledge is Red Giant’s commitment to customer happiness, with no purchasing hassles. Learn about the Red Pledge guarantee at redgiantsoftware.com/redpledge/.

About Red Giant
Red Giant is a software company made up of talented artists and technologists who collaborate to create unique tools for filmmakers, editors, VFX artists, and motion designers. Our company culture is focused on finding balance between work and life – we call it “the double bottom line” – this philosophy helps us ignore complexity in favor of building simple tools that yield giant results. Over the last decade, our products (like Magic Bullet and Trapcode) have become the standard in film and broadcast post-production – with over 200,000 users, it’s nearly impossible to watch 20 minutes of TV without seeing our software in use. From our experiences as artists and filmmakers, we aspire to not only to provide tools for artists, but inspiration as well. Watch our films, learn from over 200 free tutorials, or try our software at www.redgiant.com.

3Pod V3AH Video Tripod (Review)

October 2, 2014 Comments off

3Pod V3AH Video Tripod from Adorama3Pod V3AH Video Tripod
Adorama Camera, Inc.
$99.95 (Free shipping)

In photography, there’s nothing quite like stability. And if you’re using a tripod, you need stability because even the slightest movements during an exposure can have disastrous results. These days that’s not as expensive as it used to be because of our digital cameras and instant picture view, but film aficionados understand what I’m talking about. Often, you couldn’t tell that your trusty tripod had failed you until you developed your film, enlarged the negatives onto print paper, and discovered that indeed there was movement from a breeze, an overzealous shutter snap, or a slight bump as you released the tilt bar. But for the sake of stability, many a photographer lugged a 50-pound tripod around the countryside to grab that perfect image.

Videographers have the same problem. Camera shake makes people dizzy or uneasy when watching a film. You don’t want to purposely induce vertigo in your audience, so you resort to a tripod for stability. Hopefully one you can lift, move, balance, and position many, many times over the course of a long day’s shoot.

The 3Pod V3AH is such a tripod. It has almost every feature of a tripod costing hundreds of dollars. For the videographer on a budget, the guerrilla videographer, the YouTuber, or the professional who needs to travel light, the V3AH might be your perfect choice. At a nickel under $100, it’s really easy on your wallet.

Included in the box:

  • V3AH Video Tripod
  • Fluid Panhead with Sliding Quick-release plate
  • Padded Carrying Case
  • Manual

From the Adorama V3AH page:

The V3AH is the 3Pod video tripod of brute strength and stability with an impressive supported payload of 14.5lbs. The 3-tiered extendable leg system lets the V3AH reach heights of 61″, and features sturdy rubber feet, large, easy to grasp locking knobs, and a torsion resistant aluminum center brace for added strength.

The professional 2-Way fluid metal panhead attaches to the body with a half-bowladaptor mounting system. It is manipulated by a fully adjustable textured handle, and provides a 360 degree range of silent, jitter-free motion with state-of-the-art dampening, counterbalance and drag functions, a built-in bubblelevel, and individual directional locking. An included sliding quick-release plate detaches from the panhead with a safe-spring release pin.

There’s nothing that I can tell you about this tripod that you can’t read for yourself. The real proof of how great it is has to be seen.

The V3AH in action.

Why it’s Frugal: For $100, the V3AH is the best of class tripod that I’ve seen. Its list of features, plus 3Pod’s quality craftsmanship, and its three-year warranty just can’t be beat. Adorama is the photographer’s standard for amateurs to professionals and they’re products are designed with the working photographer in mind.

The V3AH comes in a sturdy, black nylon case with reinforced stitching on stress prone areas, such as the handles and zippers. The case is tough and solid without adding a lot of extra weight to the tripod. Who needs to lug around extra pounds on any shoot? I want my gear protected, but not at the cost of needing to rent a pack mule for the hike.

Rating: 9/10

Recommendation: If you can buy or only want one tripod and don’t want to spend more than $100, this should be it.

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