I’m a filmmaker, writer, iPhoneographer, i-Device videographer, and I won’t transition to the iPhone 7 or any device that doesn’t have an input jack that can be used for microphones. I doubt other such filmmakers will either. We have to have a way to get synchronized sound into the videos that we’re making. Bluetooth speakers are not really all that great and I don’t expect any Bluetooth microphones to be great either. Bluetooth also consumes a lot of power. It just isn’t a workable solution. Apple will likely lose a significant number of customers who make films and podcasts using iPods, iPads, and iPhones. I leave my iPad 4 connected to a tripod and a microphone constantly for quick access to creating video for reviews, news, and interviews. The new iPhones will have no such place in my repertoire.
The decision to remove the 3.5mm input jack is a very poorly conceived idea. I’m not sure that Apple really gained anything by doing so, except perhaps more revenue from their “Airpods.” Airpods are very expensive ($159.00) Bluetooth earbuds that will be easily lost or stolen. Apple does however, still supply a set of earbuds (Lightning connector) at no extra charge (A $30.00 value).
Filmmakers need to be able to connect a microphone and to connect earbuds or headphones to listen to sound. There are, of course, converter cables that one can use to allow 3.5mm access, but I haven’t tried one with an iPhone 7 yet to test how good they are. My daughter has an iPhone 7 and I will make that test soon and post when it’s complete. I have several 3.5mm jack microphones that I can use to test the cable. I purchased this adapter/converter to test, but haven’t had the time yet with her iPhone 7 to try it out.
I hope that some third party, perhaps via Kickstarter or Indiegogo, creates a good solution for iPhone 7s. I see projects like Tangerine not happening on this device and it’s unfortunate because the camera is so nice.
Note to filmmakers: You can still buy iPhone 5 and 6 models at reasonable prices, have great cameras, and have the 3.5mm jack at your disposal.
If I ever upgrade to something newer than my iPhone 5, I’m keeping the 5 for making films exclusively. The iPhone 5 has the right size, the 3.5mm jack, and I’ve invested enough in accessories to make keeping it a good idea. I wish it had more than 16GB of space or was upgradeable. Unfortunately, Apple doesn’t give us the option.
Thanks Apple, for your inflexibility, non-upgradeability, and no 3.5mm jack.
All microphones are not created equal. That statement is an overly obvious one to those of you who are in the filmmaking or videography game. However, not everyone knows it. There seems to be this highly outspoken rule that great audio is better than great video. In other words, if your video is mediocre, it doesn’t matter if your sound is great. And no matter how great your video is, if your audio is poor quality, then the whole thing is poor quality. It doesn’t seem fair does it? Well, it isn’t, but since people love great audio, there’s only one thing to do: Purchase great audio equipment for your videos.
The problem with creating great audio is that it’s not cheap to do it. But anything worth doing is worth doing right, so save your money for better equipment. There are some exceptions to the more expensive equipment rule making a better audio product. Hammer & Anvil products transcend that rule. In fact, I’d say that they break it. The HAAMKSLR100 (SLR100) microphone is one of those exceptions. Sure, you can spend more, but you won’t really get more. The SLR100 microphone is a directional condenser mike that delivers great audio for under $40.
Type: Directional Condenser microphone
Frequency Response: 38-20,000 Hz
Sensitivity: -40dB +/- 3dB / 0dB=1V/Pa, 1kHz
Signal to Noise Ratio: 75dBOutput
Impedance: <1k Ohm
Power: 1.5V AAA Battery
Plug: Mini-Pin Plug (3.5mm)
Net Weight: 52g
I like the SLR100. It’s small, compact, has its own power (AAA battery), has a pop screen, and a “dead kitten” for windy outdoor shooting. You can attach it to a hot or cold shoe or directly to a tripod mount. It also sports a shock mount of sorts on the base. It’s a complete video camera shotgun microphone that delivers very good sound for a small price.
Why it’s Frugal: The HAAMKSLR100 condenser microphone is frugal because it is inexpensive ($39.95), but yet delivers great audio. If you’re on a budget, this is a perfect audio unit to start with. It’s frugal because you get a lot of audio quality for a little money and you can use it with your iDevices, if you buy an adapter/converter
Now, you’re probably asking, “What are the practical applications for this microphone?” That’s a good question. If you’re a YouTuber who doesn’t want to be wired to a lavalier microphone or dish out hundreds of dollars for audio that’s imperceptibly better, then this is the mike for you. Would I use it for filming a documentary that’s going on Netflix? Probably not. Not because it isn’t a great little microphone; it is, but Hammer & Anvil offers some very reasonably priced professional directional microphones for about $100 more and they’re just too tempting to resist. For example, I’m actually reviewing the HAAMKENG600 microphone as I’m writing this post.
The HAAMKSLR100 microphone will do just about anything you want it to do and, as I pointed out in the review video, for a few dollars, you can buy a three pole to four pole converter and use this microphone on your iPad or on your iPhone as an external shotgun audio capture device. Awesome.
It’s awesome because you don’t have to blow a lot of extra money buying a microphone specifically designed for your iDevices. You can use this one everywhere and that’s a very good thing.
One of the things that I really love about the SLR100 is that when you turn on the mike, you can see clearly that it’s on because of the green light on the back near the ON/OFF switch. I’ve seen complaints on much higher priced microphones that don’t offer this basic feature. Bravo to the folks at Hammer & Anvil for providing that much needed feature.
Why am I making such a big deal about the ON light, you ask?
Well, after you run down a lot of batteries because you left your mike ON, you’ll understand why. The light clearly lets you know when the unit is ON and when it is OFF. To me, that feature alone is worth $40.
I’m quite pleased with the sound quality that I get from the SLR100. It’s quiet where I need it to be and it picks up sounds that I want it to and all for the price of an afternoon matinee. I’m sold on it. As I said in the video, it’s a solid microphone and deserves the rating I give it.
Adorama.com is a top-notch camera and accessory store for the amateur and the professional alike. This microphone is perfect for those who need something better than the built-in microphones on DSLRs, video cameras, and iDevices.
Recommendation: Buy it for all your general video creation needs. It’s not a pro-grade microphone, but it’s darn nice for $40.
IK Multimedia launches iKlip A/V – The first smartphone broadcast mount for capturing pro-quality audio for mobile video
RIDGEFIELD PARK, NJ – March 1, 2016 – The Polaroid brightsaber pro LED lighting wand is the easiest and most affordable way to get a perfectly lit shot, whether on set, in the field, or anywhere in between. The highly portable lighting solution can be comfortably handheld or mounted to a tripod for studio setups, and comes with an integrated rotating tungsten filter to give photographers, videographers, event planners, set decorators and more the light they need to create a beautiful look.
Polaroid Brightsaber Key Features
• Includes infrared lamp and camera shutter remote; rechargeable battery pack
• Professional-grade LED lamp driver chip enhances consistency and lighting stability
• Ergonomically designed, the 1.7” diameter multi-purpose grip provides maximum comfort during handheld use, while a built-in threaded tripod mount enables studio setups
• Intelligently integrated, freely rotating, tubular tungsten filter in wrap-around design ensures perfect lighting balance
• Array of 298 powerful, efficient, low-heat 5600k LED bulbs rated at >50,000 Hours
Your Work in a Different Light…and Lots of It
The Polaroid brightsaber’s 298-piece LED bulbs deliver true daylight color 5800K, and have been engineered to be in optimal proximity to the gently frosted light diffuser, resulting in a soft yet powerfully projected and evenly dispersed shine. Photographers can easily set the light to a rapid or slow flash with the press of a button. Offering the pros extra versatility, the Polaroid brightsaber features a tungsten color temperature filter in the form of a 3200k sleeve, giving users the ability to add dramatic lighting effects without the need for additional devices.
Video or Still, Pro or Prosumer, It’s All the Lighting You Need
Getting a well-lit shot is easy with the Polaroid brightsaber, eliminating the need for lighting umbrellas, stands, mounts and sweat-inducing spotlights. At just 22 ounces, the Polaroidbrightsaber is super lightweight, portable and overall refreshingly manageable. Even so, it provides a full range of powerful and sophisticated “studio-level” features professionals will appreciate in the studio and on location.
Helping photographers stay focused on set, the Polaroid brightsaber comes with an innovative multi-function IR remote. This handy device gives users full control over the lighting, while doubling as a remote shutter release for virtually any Canon, Nikon or Pentax camera.
Pricing and Availability
The Polaroid brightsaber pro is available now on Amazon for 162.29 USD and ships with a lamp, filter, remote control, battery, AC power adapter, case and manual.
The Polaroid Brand
Polaroid is one of the most trusted, well-respected and recognizable brands with a rich 75-year history beginning with Polaroid instant film. Our range of products include instant and digital still cameras, high-definition and mountable sports video cameras, tablets and flat-screen TVs that deliver the fun, instant gratification and value for which the brand has long stood. Today, thePolaroid Classic Border Logo rooted in our beginnings of instant photo sharing serves to designate genuine Polaroid branded products. For more information, visit http://www.Polaroid.com.
Polaroid, Polaroid & Pixel, Polaroid Color Spectrum and Polaroid Classic Border Logo are trademarks of PLR IP Holdings, LLC, used under license.
3Pod Announces Brand New Photo and Video Tripods, Monopods, Ballheads and Video Heads for the Working Shooter
New York, NY – December 2, 2015 – 3Pod, the award-winning brand of photography and video tripods, has just announced brand new 3Pod tripods, monopods, ballheads and video heads for the working photo and video professional, available for preorder now at Adorama.com. Headlining the collection of new gear is the line of Orbit tripods featuring the Orbit Overhead Shot System, which enable overhead and low angle shots, courtesy of a center column that can be tilted or oriented horizontally if desired. All new 3Pod models are made of lightweight, durable materials for a balance of portability and solid function on the job. Combining the incredible value, most-wanted features, weight, functionality and quality that 3Pod gear is known for, the brand’s latest offerings are perfect for dependable, everyday use.
“The new tripods and heads from 3Pod are absolute necessities for the every day photo or video shooter – these are your bread and butter working tools,” comments Abe Eherenfeld, global sourcing manager at Adorama. “The Orbit Overhead Shot System allows for a variety of shots you just can’t get from a typical tripod. The tripod heads are super functional and meet the needs of portrait and product photographers who don’t want plain ballheads. And the video heads can be mounted to any monopod, tripod or rail. The price points on these products combined with the functionality, usability and quality they offer really can’t be beat.”
Now available exclusively at Adorama, new products from 3Pod include:
Orbit Overhead Shot System Tripods: Designed for photo and video use, the newest collection of tripods from 3Pod include the Orbit 3-Section Tripod and the Orbit 4-Section Tripod, both available in either carbon fiber or aluminum. The Orbit Overhead Shot System tripods feature a center column that can be easily titled or oriented horizontally for overhead or low angle shooting, perfect for product or food photography. These photo and video tripods feature a super lightweight and sturdy design, quick adjustment flip locks, padded grip, 3-leg spread angle settings, retractable foot spikes and a bubble level on the top plate.
Four-Section Monopod with Fluid Base: This lightweight and sturdy monopod from 3Pod is available in either aluminum or carbon fiber. Perfect for photo and video use, it features four fully adjustable sections for maximum height in a minimum package, a cushioned grip, and flip lock legs for a more stable shooting experience. Its pivoting fluid base with tripod foot allows for balanced and smooth swiveling and panning, great for adding dynamic motion to a shot.
Table Top Tripod with Ballhead: The perfect solution for positioning lightweight cameras, lights and accessories (up to 4 lbs.), the 3Pod Table Top Tripod is ideal for small point and shoot photo and video cameras, action camera users, and lighting technicians. Mount a camcorder, compact camera, GoPro, strobe or small LED light panel with exact control. Available in 14” or 16.5” models with the ability to adjust the height, this table top tripod has heavy duty load bearing legs, and can be collapsed down for convenient storage and transport.
Three-Way Head with Quick Release: The 3-Way Head for tripods offers independent camera control on three different planes, making it ideal for exacting photographers shooting product, landscape, architecture and commercial work.
M1 Mini Ballhead: Designed to add comfortable adjustment to any mount, the M1 Mini Ballheadis a favorite of action camera users and lighting technicians and is perfect for precise positioning of GoPro cameras, strobes or small LED light panels. Offering ballhead freedom with 360-degree rotation, the 3Pod Mini Ballhead is a great option for capturing unique shots.
Pistol Grip Ballhead: The Pistol Grip Ballhead is ideal for professional photographers seeking simple griphead adjustment when shooting portrait, landscape, still life and products. Enabling a precisely composed image, even with a heavy camera and lens combo, the 3Pod Pistol Grip Ballhead allows for easy and secure one-handed adjustments, leaving the other hand free to zoom, focus, balance the camera and make any other necessary adjustments.
T1 Tilthead with Quick Release: With 3Pod’s industry standard quick release system, the T1 Tilthead with quick release allows users to adjust the camera 180 degrees on a single axis, making it perfect when photographing with a monopod to orient for vertical shots or for video tilt to pan up and down.
Q3 Fluid Video Head: A dynamic videography head designed for cinematography setups such as cinema camcorders, video rigs, DSLRs and ILCs, the 3Pod Fluid Video Head can support a maximum load of 15 lbs. This head features separate pan and tilt fluid friction controls, a bubble level on the base for perfect pans, a sliding quick release plate (with safety lock) for balancing a rig, an angle adjustable ambidextrous handle for stable control, and a comfortable padded grip. Separate tilt friction and lock controls allow this head to revert to the exact same tilt tension after unlocking.
Q2 Lightweight Fluid Video Head: This videography head is designed for lightweight setups such as camcorders, DSLRs and ILCs. The 3Pod Lightweight Fluid Video Head can support up to 11 pounds and is the perfect choice for cinematographers using monopods or tripods.
All 3Pod ballheads use industry standard quick release systems for interchangeability between support devices, as well as other features demanded by the everyday working photographer.
ADORAMA: More Than a Camera Store
Adorama is more than a camera store – it’s one of the world’s largest photography, video, audio and computer retailers. Serving customers for more than 35 years, Adorama has grown from its flagship NYC store to include the leading online destination for imaging and consumer electronics. Adorama’s vast product offerings encompass home entertainment, mobile computing, and professional video and audio, while its services include an in-house photo lab, AdoramaPix; resources and gear for photographers, filmmakers, production studios, broadcasting and post houses, and recording artists through Adorama Pro; pro equipment rental at Adorama Rental Company; and the award-winning Adorama Learning Center, which offers free creative education in online channels such as the popular Adorama TV.
Adorama is listed as one of the top five electronics retailers by Consumer Reports, “Best of the Web” by Forbes.com, Internet Retailers Top 100, and is the official Electronics Retailer of the NY Giants.
3Pod offers a complete collection of tripods for photography and video production, including the best values in carbon fiber and aluminum construction support. With specialty tripods for cinematography and travel – including the one-of-a-kind Lay Flat tripod – along with tripod heads and accessories, the unique designs from 3Pod fit every requirement and budget.
With a coveted Award of Superiority from Microfilmmaker in 2015 for the V2AH video tripod, 3Pod tripods are quickly gaining recognition as a high quality but affordable support solution for imagemakers. Available exclusively at Adorama, visit the brand store online to find all 3Pod products: http://www.adorama.com/brands/3pod.
40-Percent Off VFX, Motion Graphics and Filmmaking Plugins in Red Giant’s Annual Blowout Sale on December 8th
Portland, OR – December 1, 2015 – Red Giant today announced its annual 40%-off blowout sale, its largest and most anticipated sale of the year, taking place one week from today. Once again, all Red Giant VFX, filmmaking and motion graphics plugins and suites sold online atwww.redgiant.com, including full licenses, upgrades and products from the academic store* (already 50% off), will be on sale at 40% off the regular price from 8:00 AM PST on December 8, 2015 to 8:00 AM PST on December 9, 2015. To redeem the 40% discount, simply apply the coupon code found on the Red Giant website (available the day of the sale). There is absolutely no catch or fine print on this sale; every plugin, suite, license and upgrade found in the Red Giant online store will be on sale. So whether you use Adobe After Effects, Premiere Pro, Final Cut Pro X or other host apps, there is something for everyone.
Save on the year’s most popular plugins, suites, licenses and upgrades, including:
- NEW – Trapcode Suite 13: $599 (usually $999)
- NEW – Magic Bullet Suite 12: $479 (usually $799)
- NEW – Trapcode Particular 2.5: $240 (usually $399)
- NEW – Trapcode Tao: $60 (usually $99)
- PluralEyes 3.5: $120 (usually $199)
- Universe Annual Premium Membership: $60 (usually $99)
*Academic buyers: It is strongly recommended that students and faculty who would like to make a purchase from the Red Giant Academic store should pre-qualify as an academic buyer before the sale. Don’t forget, or you may miss out on the sale price!
For assistance, or to learn more about Red Giant products, please contact atwww.redgiant.com/support.
The Red Pledge
Red Pledge is Red Giant commitment to customer happiness, with no purchasing hassles. Learn about the Red Pledge guarantee at www.redgiant.com/redpledge/.
Request a Review Kit
Members of the media are invited to review any products or suites from Red Giant. For more information or to request a product review kit, please contact Anya Nelson email@example.com.
About Red Giant
Red Giant is a software company made up of talented artists and technologists who collaborate to create unique tools for filmmakers, editors, VFX artists, and motion designers. Our company culture is focused on finding balance between work and life – we call it “the double bottom line” – this philosophy helps us ignore complexity in favor of building simple tools that yield giant results. Over the last decade, our products (like Magic Bullet and Trapcode) have become the standard in film and broadcast post-production. With over 200,000 users, it’s nearly impossible to watch 20 minutes of TV without seeing our software in use. From our experiences as artists and filmmakers, we aspire to not only provide tools for artists, but inspiration as well. Watch our films, learn from over 200 free tutorials, or try our software at www.redgiant.com.
Portland, OR – November 26, 2014 – Red Giant (http://www.redgiant.com/) is back with its annual 40%-off blowout sale, hitting the online store on Tuesday, December 9th. For 24 hours only, from 08:00 AM PST on December 9th to 08:00 AM PST on December 10th, every single Red Giant product sold at www.redgiant.com – full licenses, upgrades and products from the academic store (already 50% off) – will be on sale. To redeem the 40% discount, simply apply the coupon code found on the Red Giant website. There is absolutely no catch or fine print on this sale; every plugin, suite, license and upgrade found in the Red Giant online store will be on sale. So whether you use Adobe Premiere Pro, After Effects, Final Cut Pro X or other host apps, there is something for everyone.
Annual 40%-Off Sale Video: https://vimeo.com/112834280
Some Examples of Savings:
• Trapcode Suite: Usually $899. Get it on sale for just $540.
• Color Suite: Usually $599. Get it on sale for just $360.
• PluralEyes: Usually $199. Get it on sale for just $120.
• Universe Annual Premium Membership: Usually $99. Get it on sale for $60.
For pre-sales questions, please contact us at redgiant.com/support and we’ll help you out.
The Red Pledge
Red Pledge is Red Giant’s commitment to customer happiness, with no purchasing hassles. It includes a 30-day money-back guarantee and much more. Learn about the Red Pledge guarantee atwww.redgiantsoftware.com/redpledge/.
About Red Giant
Red Giant is a software company made up of talented artists and technologists who collaborate to create unique tools for filmmakers, editors, VFX artists, and motion designers. Our company culture is focused on finding balance between work and life – we call it “the double bottom line” – this philosophy helps us ignore complexity in favor of building simple tools that yield giant results. Over the last decade, our products (like Magic Bullet and Trapcode) have become the standard in film and broadcast post-production – With over 200,000 users, it’s nearly impossible to watch 20 minutes of TV without seeing our software in use. From our experiences as artists and filmmakers, we aspire to not only to provide tools for artists, but inspiration as well. Watch our films, learn from over 200 free tutorials, or try our software at www.redgiant.com.